Photos in print

Not only should you be looking at lots of photos and photo sites, but it also helps to pay attention to how photos are used in publications. An excellent site to see “photos in action” is the Tearsheets page on the Panos site:

http://www.panos.co.uk/tearsheets/

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Photo of the Day: Duckies with sunglasses

Sometimes you just have to have fun.

The ducks brave the rapids during the 36th annual Fish Fry held Sunday May 6th at the Herring Run. Photo by K.A. MacDonald

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Picture of the Day: Step Back and look wide

Sometimes you can find a sports photo not with a close up but by stepping back and setting the scene. (This works for a lot of settings and is why it is strongly suggested that you have a variety of shots: close-up, medium, and wide).

This shot gives a sense of the teamwork that goes in to baseball.

I would like it if the ball was up just a *little* bit higher so it would be highlighted against a solid color. But overall, I am happy.

Specs:
Nikon D800
Sigma 50-500 (Bigma)
1/2500 sec
100mm
f/5.0
ISO 400

Scituate's Matt Murray hits the ball as his teammates watch from the dugout during Monday's game at Scituate High School. Scituate won the game 5-4. Photo by K.A. MacDonald

 

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Technique: Teddy bears are your friend

I speak to a number of people who are new to photography and feel overwhelmed by all of the terminology and settings and all of the wonderful things that cameras can do.

And there is tons of advice available on the internet. However there are some pieces of advice that I give where I can see that little light go off over people’s head, where they, perhaps for the first time, understand one more little detail that will help them on their path of learning.

For people who are intimidated by the concept of shutter speed and aperture I suggest the following:

1. Find a room with no one else in it.
2. Find your favourite teddy bear (bunnies, frogs, and stuffed elephants are also good helpers).
3. Explain to your teddy bear that his job is to sit there on the chair/table/bed and pose for you.
4. Now you as the photographer are going to take a series of photos of Mr. Teddy. First, set your camera to shutter priority. Don’t worry about aperture. Set your ISO to the lowest number (probably 100 or 200). Set your shutter speed to 1/8000 (or whatever the fastest speed/highest bottom number is).
5. Take a picture of Mr. Teddy.
6. Change the shutter speed by one “click” – perhaps from 1/8000 to 1/4000.
7. Take a picture of Mr. Teddy – the exact same photo you took in step 5 – same location, same focus, etc….
8. Continue the previous steps, changing ONLY the shutter speed by one “click” or one step at a time until you are in to the full seconds of shutter speed.
9. Thank your teddy bear for posing for you.
10. Look at the photos you just took on the computer. With a notebook at your side, look at each photo, jot down the setting for each photo and write down what you notice about the pictures. (Hint: as the shutter stays open longer, pay attention to any motion you notice, how much light there is in the photo, and then how many other things in the frame are in focus.)

When you have done your homework, you should have a bit more understanding of the effect of the shutter speed on a still object.

Now what happens if you do the same experiment, except this time stand outside and photograph cars as they go by on the street. Start with a fact shutter speed, change it one step at a time, etc…

When was the action frozen? When was it hard to keep the car in focus? When did you end up with a blurry car but the trees in your neighbor’s yard in focus?

You can do the exact same experiments with aperture and ISO. Change ONLY the one setting, only one step at a time. Look at the photos on the computer and jot down the settings for each picture.

And now you are one step closer to being able to tell the camera to do what you want it to do.

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Another Site You Should Know

It is always good to learn from other photographers. And one of the best places to see incredible work is at The Lens Blog from The New York Times.

http://lens.blogs.nytimes.com/

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Photo of the Day: Lacrosse

Clean backgrounds. Photos are best when there is nothing disrupting the photo. And one of the most disruptive elements that shows up in photos is a dirty or busy background.

This shot is from today’s lacrosse game. I spent the first half of the game standing near the corner of the field, making sure that the sun was, at least mostly, behind me.

For the second half, I moved up to standing on top of the press box near the field. With a long lens (50-500mm) I had sufficient reach. But I also had a clean background. There were no cars back there. There were no teams, for the players I was focusing on to blend in with. There were no fans on their cell phones or dogs doing what dogs do.

The background is grass. The players stand out from the background. The shot is a success.

Specs:
Nikon D800
Sigma 50-500 (Bigma)
1/1250 sec
500mm
f/6.3
ISO 1600

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Photo of the Day: Color Guard

In Photojournalism, layers are important. The goal is to get people to want to spend time looking at your photo, noticing the details, looking in the foreground, the middle and the back. You want people to have reason to talk about your photo.

This photo is a simple concept – Color Guard. We like them because we respect them. But in this case, I was able to add a waving American flag (no I did not add anything, but I framed the photo so that it was there). And it also includes a second flag on which you can read most of the motto: “Don’t Give Up the Ship”, a motto very important to the history of Scituate, MA. The Color Guard is presenting colors as they walk through a path of runners, preparing to run a 5k/10k.

Shooting Specs:
Nikon D800
70-200 2.8 lens (V1)
ISO 100
1/250 sec
f 4.0
70 mm

 

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Photo of the Day: High Jump

One of the things that makes athletic pictures powerful is emotion. With this photo, I prefocused on the bar, knowing that the action happens within a few inches in front of and behind the bar. I held the focus until he jumped – and we have emotion.

Specs:
Nikon D800
Sigma 50-500 (Bigma)
800 ISO
85mm
f/5.0
1/640 sec

And yes, he cleared the bar.

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Great High Speed Photography

A photographer named Alan Sailer is an expert at blowing up household items and photographing them. Quite impressive.

http://www.flickr.com/photos/8763834@N02/

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A simple at home set-up

Here is a blog post I came across recently. I have not yet had a chance to try it, but I look forward to doing so.

The photographer uses a couple of items that are likely to be found in most homes (and if not, can be purchased quite inexpensively) to create a lighting set-up for jewelry.

http://www.viauphotography.com/blog/post/2012/03/16/Take-Jewelry-Pictures-Like-a-Professional-Using-a-Common-Lamp.aspx

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